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Built Review
Elizabeth I
Elizabeth I (1533 - 1603)
  • 2000019_02

by: Rudi Richardson [ TAROK ]


Elizabeth I (7 September 1533 24 March 1603) reigned as Queen of England and Queen of Ireland from 17 November 1558 until her death. Often referred to as The Virgin Queen, Elizabeth was the sixth and final monarch of the Tudor period. While certainly not without her own problems and controversies, subsequent to the short reigns of Elizabeth's brother and sister, her forty-five years on the throne provided precious stability for the realm and assisted in fashioning a sense of national identity.

Ademola 22s 200 019 Elizabeth I (1533 1603) is a 200mm scale resin bust sculpted by Roman Rux with him also having done the box-art. The figure represents Queen Elizabeth I of England during the latter stages of her life. The sculptor does not appear to have based the sculpt on anyone single artwork, but appears to have used various artworks of the regent as a source.

Whats in the box?

Bust 200 019 Elizabeth I (1533 1603), cast in a light grey coloured resin, comes in a kit form consisting of the following six (6) parts:

  • Head and upper chest;
  • Upper torso;
  • Large collar;
  • Two pearl earrings; and
  • Circular base plinth.

    The kit is packaged in an impressive black cardboard box with a glossy box-art photo attached to the front. With the exception of the base plinth, which lies loose in the box, all the parts are packed in a zip-lock bag. The box contents are wrapped in copious amounts of bubble wrap to further prevent damage to the parts.

    The Kit

    Overall, the bust is well sculpted by Roman Rux, which is complimented by crisp and exceptional casting.

    The head is very nicely sculpted. The sculptor appears to have captured the likeness of Her Majesty quite convincingly, seemly having used various artworks of the regent as a source. There is a lot of detail to be appreciated on this part, from the fine curls of hair to the various items of jewellery to the fine lace detail on the front of the bodice. Perhaps the most impressive items of detail are those worn in her hair, such as the jewelled clips and the bejewelled chain circlet worn intertwined amongst her short curls.

    The casting is exceptionally clean, with only a slight seam line on the rear of the neck due a misalignment of the mould at this point. This is, however, perhaps a moot point since this area will actually be covered by the collar once the bust is assembled. The head features a large T-shaped casting block at the bottom of the part.

    While the sculpting and casting quality of the entire figure is excellent, the most impressive single piece has got to be the large period collar. The photographs of the piece speak for themselves, although probably do not do it justice. Not only is the piece well detailed and textured, but it is extremely well cast. Once again a large T-shaped casting block supports the part. This will carefully need to be removed lest one damage that fine detail.

    The torso is equally well detailed, and like the other two parts extremely cleanly and crisply cast. The detail and drapery of the period gown has been captured with great conviction by the sculptor. As mentioned, the casting is exceptionally clean with only a small casting line underneath the right arm. Once again: a moot point. Other than this irrelevant blemish, there is not a casting line or air pocket to be found. A heavy casting block is placed at the bottom front of the torso.

    The final three pieces, being the two pearl earrings and the base plinth, are as well sculpted and cast as the other parts. The plinth featured a few minute holes as result of air pockets. These are not serious, however, and will probably simply be filled when the figure is primed.

    Test fitting

    The fitment of this figure is excellent: all the parts merely slide into place with barely a joint visible. In fact, due to the hard resin it was more difficult to remove the casting blocks.

    Due to the hard resin Ademola 22 use, the casting blocks were quite tough to remove. Due to their placement on the collar and torso I was reluctant to use a razor saw, and perhaps mistakenly elected to do it the hard way: using a chisel blade. It worked easily enough on the collar, with only having to clean a bit off the inner collar with a number 11 blade later. The torso casting block proved more difficult to remove with the chisel blade but it eventually yielded.

    The T-shaped casting block was a bit easier to remove. This was done by repeatedly scoring the block until it gave way.

    Fitment was an absolute pleasure. The head slotted easily and snugly onto the torso. The modeller will want to slide the chest area into place first; the neck will then simply fall into place. The collar is easily seated as well, and three locator slots are provided to assist with placement. The plinth slides easily into a hole provided in the underside of the torso.


    Ademola 22s 200 019 Elizabeth I (1533 1603) is without a doubt a high quality product. With these being the nineteenth 200mm bust in their range they certainly are not the new kids on the block, and with this sort of quality sculpting, casting and fitment I think we will see many more great things from this company.

  • Wikipedia: Elizabeth I of England
    Highs: Excellent casting and fitment quality.
    Lows: None that I could find
    Verdict: This their nineteenth 200mm bust, Ademola 22s Elizabeth I is a high quality product which will not fail to please.
    Percentage Rating
      Scale: 200mm
      Mfg. ID: 200 0019
      Suggested Retail: 43.00 EUR
      PUBLISHED: May 11, 2008
      NATIONALITY: United Kingdom
      THIS REVIEWER: 85.47%
      MAKER/PUBLISHER: 87.50%

    Our Thanks to Ademola 22!
    This item was provided by them for the purpose of having it reviewed on this KitMaker Network site. If you would like your kit, book, or product reviewed, please contact us.

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    About Rudi Richardson (Tarok)

    I'm a former Managing Editor of the Historicus Forma historical figure modelling website. While my modelling and history interests are diverse, my main figure modelling focus lies in Sci-Fi, Pop-Culture, Fantasy, Roman and WW2 German subjects. I'm a firm believer that armour and vehicles accessorise...

    Copyright 2021 text by Rudi Richardson [ TAROK ]. Images also by copyright holder unless otherwise noted. Opinions expressed are those of the author(s) and not necessarily those of Historicus Forma or Silver Star Enterprises. All rights reserved.


    Thanks for the review, young man. Nice representation of Gloriana. That resin, the face in particular, looks incredibly smooth. The collar is breathtaking. Where can Ademola 22 products be found? John
    MAY 11, 2008 - 08:08 PM
    Thanks John Ademola 22's site appears to handle Paypal so I think you may be able to buy directly from them. Alternatively check out Adallbertus HTH Rudi
    MAY 12, 2008 - 02:02 AM
    This looks like a beautiful thing. I might have to suggest this as a father's day present. I made the Ademola bust of Mary Read and really enjoyed it. I ordered from Adalbertus who were excellent, but their website doesn't have the most recent Ademola22 releases, Alan
    MAY 12, 2008 - 12:30 PM
    Hi Rudi Nice review of a lovely fig - not my taste but lovely never the less. Having see it in the flesh, I've got top say the lace detail on the ruff is superb. The point you've made about 'fine art' source material is very interesting. Good Queen Bess was quite a 'spin doctor' and restricted her likeness/ image to a set template - IE artists had to paint to a prescribed/ idealised likeness; so prescriptive that some historians believe artists actually used a template. Consequently, it is unlikely that any of the surviving portraits of 'er 'ighness (as Queen) are true representations of an actual living person - who said celebrity airbrushing is a new concept? Cheerski Karol
    FEB 14, 2009 - 04:42 AM

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